Showing posts with label Experimental. Show all posts
Showing posts with label Experimental. Show all posts

Thursday, 8 October 2020

Tarantula Hill

We never told anyone about the dead dog in the driveway or what happened the day that Cole was admitted to hospital after being found somewhere at the foot of Tarantula Hill, bleeding on the insides. It was the summer of 1998 and I'd forgotten everything I’d loved because during the stretch of weeks before our summer holidays, I had met Michael Trent. Everyone at school looked up to him and he knew it. His girlfriend Marianne knew it. And she had a cluster of pretty friends who would move around as if in an orbit with Michael’s prettier friends. They didn’t talk to me the year before. It wasn’t because I’m poor. introverted and painfully inept when it comes to social interactions, or even because I was on the debating team and enjoyed time in the library and playing the flute. They simply didn’t see I was there, blended into the backdrop of their lives. They looked right through me, as if I was just the air they were breathing. Something changed when the season’s did and autumn came, and it had something to do with a house party. 

I won’t go into it, but a girl- one of Marianne’s friends- was drunk and she’d found her way to a high window, opened it, and was sitting. swaying on the sill. She was crying and saying she was ready to jump. I only happened to be in the vicinity because I had gone upstairs to the top floor bathroom to vomit the beer I’d been endlessly gulping just to calm myself down. In the cabinet over the sink I looked for some mouthwash so I could rinse the stench of regurgitated alcohol off my tongue but instead found a prescription pill bottle with the name ‘Steiner, Janet’ printed on the label. I figured out that it must have been the mother of Garrett Steiner, whose house it was, and he was Marianne’s ex-boyfriend. I swallowed the pills  and went out of the bathroom and that’s when I saw this girl I recognised from mental images I had of Michael surrounded by a crowd of faces at school- faces heavy with ennui but somehow shimmering in the light of his halo. People got wind of it very quickly and started to freak out, making it worse. She had crossed the threshold of drunk into something horrible and worse, something familiar to me, but then and there I told myself- whatever- I’d  always imagined this kind of over-emotional yet totally empty dramatic performance as a regular occurrence within this social circle. I talked to her and I don’t really remember the specifics because the pills had kicked in, interacting with the beer in my stomach, and everything in my memory is wrapped in this filmy glaze. I must have said something coincidentally and exactly right or just what she needed to hear or maybe I said a bunch of things, but she literally stepped down, weeping mascara all over my t-shirt, and held onto my unsteady shoulder, suffocating and tight. She went on to spread the word to her friends, including Marianne and Michael, and said I’d saved her life, which isn’t technically true or true in any other respect as I’m not sure it was ever in danger. After that, back at school, it was instant. They saw me, they waved me over to their table at lunch, they chatted to me behind the backs of teachers in classes we shared and suggested hanging out on Tarantula Hill when school was over for the summer. 

They were very interesting people, it seemed,  and all very special. I was only just getting to know them and spend time in their orbit and everything was different. I’d known Cole for at least eight years and he wasn’t even in the same solar system. I guess we used to be what you’d call best friends, but so much changed. I wanted to change with it. Marianne was a hand model and her family owned half the property in Prague or something. The suicidal roof girl was involved in countless activities and clubs- her list of interests would be pages long-but she apparently wrote a lot. Poetry, prose, creative non-fiction, and all that. She just didn’t show it off or let anyone read it, which I could understand. Her boyfriend, Joey, was from a family whose house could contain at least five the size of the one I live in, and he collected various athletic trophies. Garrett was the drummer in a band with one girl and two other guys, and they performed live every so often at a local venue where I occasionally bought coffee. These people- it was as if they were so distant and different compared to me, like they weren’t even human, but something that transcended me and everything about life as I knew it. So enviable, so enigmatic; they were extraordinary people in my eyes, and when they glanced my way and beckoned me over, I felt special too. Or at least like I could be, someday. 

 Then there was Michael. I fell in love with Michael Trent last summer. He stood at six feet and two inches, just one inch short of me, with chestnut-coloured hair and shoulders strong enough to hold up the sky and shrug at the same time. Even the lilt of his voice was mesmerising. I was captivated by the cadence of his words, regardless of what he was saying, and when he spoke it was sometimes with  lopsided lips, smiling; sometimes from behind a heavy frown, his features turned inwards as if to protect him from affection. Back then, I barely knew him but I knew I was in love. I came to know him so well and he came to know me too. Realistically I was more eager to learn about him than he was to learn about me, so maybe he didn’t really know me at all. Whatever, the love is still there. We just never talked about some of the things that happened last summer because it wasn’t worth discussing anyway, and I can’t remember most of it. Not accurately, anyway. We smoked a lot of weed and drank a lot of anything with alcohol in it so I’m hardly a reliable eyewitness to the series of events that nonetheless leave me with a cold chill that rushes like sweat down my back and then my head starts to hurt. Maybe I need glasses.

I think there was a time that Cole reached out to me specifically, around the time I was getting to know all these new people. I don’t remember what it was about exactly. It might have been that he was going through some family matter- at the start we had bonded because my mother is a recovering addict and his father is a functioning alcoholic, but his parents are still together, unlike mine. It wasn’t the one thing that made us close for a time but I used to be able to tell him about what was going on in my head or at my house, and he could tell me about his parents and how all he wanted was for them to get a divorce. We shared other interests but, like I said, things change and people change and I was spending my time trying to get to know Michael and his friends. Cole and I didn’t speak for a long time but not because I didn’t want to. He stopped smiling at me, stopped all interaction eventually. Looking back, I think he got the impression that I wanted new social experiences. I did, but not at the expense of our friendship- I just never told him that. It was easier to fit in with a new crowd without him being there, having to fit him in there with me. 

It wasn’t just Cole. During the summer I neglected everything else I used to do just to be around Michael. I never wanted to wash my clothes when they held the scent of Michael’s sweat and spliff and hair wax, mixed in with Marianne’s body spray. I remember the day after the thing happened with Cole on Tarantula Hill, I was in his bedroom, lying on his stinking, dirty carpet and loving it. I remember that we’d just shared a spliff and I was being dramatic, sprawling on the floor and asking him to take my pulse because I thought I was dying. The crazy thing was, I did really think I was dying sometimes, when I was around him. The pain of being around him was slow and gradually worsening- my mind felt like it was collapsing, deteriorating, the longer our bodies were kept apart, but I knew I could only be close to him by keeping just the right distance. He was laughing- he didn’t take my pulse, but he told me not to be a coward and then said, “Remember that time you said God works in mysterious ways?”He shot me this look, a sidelong flicker of his eyes, and it’s hard to explain but with every look he gave me, there were volumes of words unspoken, and there was no way of knowing what those words were. But he was always saying cryptic little sentences, some of them platitudinous, or throwing rhetorical questions into the ether. Though if written  his words would carry little weight, if any at all, it was the way he looked at me when he said them. There was no way of knowing there were any words at all  behind his eyes. All those glances could have been empty. The language of his body and his facial expressions down to the most inscrutable movement could have been completely meaningless, or simply random, and I filled in those empty spaces with only my own interpretations, my skewed and desirous perceptions. When he looked at me, every glance bestowed me with worth and importance; carried with it a secret ciphered message that not I nor anyone else could ever decode. When he spoke to me, it all sounded like serendipity. He could deliver those words with his eyes, the language of his body, and make them sound like everything you wanted to hear. In response to his comment on God’s mystery, whether or not it was laden with innuendo, all I could say was yeah and something else about how everything with a halo looked like him. He lapped it up. He loved it. and he knew we were his ever-loving, ever-learning disciples. 

He knew he could get a kick out of describing his sex life with Marianne to me because I’d try not to show how upset it made me, and the attempts I made to adjust the look on my face, trying various expressions of nonchalance, were futile. I could not fake it. I was transparent, so much so that my pretences themselves were  complete giveaway, my genuine feelings and reactions utterly obvious. It was a pretence that backfired. He knew I wanted him but I’m not sure if he knew that in the same way that I really did love him, to some extent he must have also loved me- we went through too much together. Michael knew that his followers, friends and me had collectively handed him our puppet strings and that we had to be grateful because none of us would ever have known what it feels like to shatter the speed limit in the suburbs after a house party; or spray paint the facades of empty buildings under a dome of stars; or share in a memory, a moment between just you and him that can be shared all over again with only a flicker of his eyes; or to completely abandon oneself and throw every caution and thought of consequence to the wind, if it wasn’t for him. Before the night we talked about halos, I remember visiting Cole in hospital and telling him that I didn’t know about the plan, I hadn’t known. He looked at me with tears blurring his eyes and an expression that made me feel like I was going to throw up. A machine attached to him released another beep. and he said, “Why is Michael so cruel”- and it wasn’t a question. I didn’t answer him either way and must have walked around with stars in my eyes for weeks afterwards, thinking singularly about God’s mysterious ways and divinity. 

About two weeks later, or maybe less, there was a house party at Julia Doherty’s because her parents were away at a conference in the south of France that had something to do with wine. Their house had an enormous wine cellar- when the claustrophobia of crowded rooms set in, and this other unnamed, unidentified fear that creeps up on me more lately than ever before, I ducked into the cellar to get away from all the people. I saw all their racks of wine bottles, untouched and unopened. some even blanketed with a layer of dust, I imagined what it would be like to have something you believed was so precious, you could obtain it and keep it for decades, and simply owning it would be enough. I wondered if my memories of Michael and all those precious feelings would store themselves somewhere in the corners of my mind, collecting dust yet still of such value. 

Michael brought pack upon pack of beer bottles to Julia’s and for a moment I wished that Cole could be there just so there was one person to turn to who didn’t completely confound me, but I smacked that thought away. I hadn’t thought about him at previous parties or on other days or during those evenings I spent staring at Michael’s ceiling as if I was looking at heaven. But after that night on Tarantula Hill, the thought kept intruding, pushing its way in. Finding something to sniff or swallow always helped. No one had asked Michael or me about the scratches on our hands that looked to me like the cracked paving stones leftover after a little but brutal earthquake hit the towns north of ours- there was some structural damage but no fatalities. I kind of liked the way those streets looked in the wake of it- a small-scale disaster, fracturing the stone and rattling the steel, cracking the earth underneath open like an egg.

Michael and I both cut through the rest of the summer with our hands in our pockets. In the bathroom I found Julia’s grandmother’s pills. I’d learnt that older people are often holding prescription pills that they never use, either from ailments in the past or because they don’t find in them the same recreational or mind-numbing value that myself and some of my peers  did. It’s become a habit- foraging for other people’s pharmaceuticals. I can’t stop myself from taking them if they are there, and now I always look. I guess I take after my mother that way. She didn’t go to any AA meetings during that summer and I didnt even notice. I’m ashamed to admit that. I know it’s not my fault she’s drinking again but I could have paid more attention and now we are living in our own worlds, our own addictions, mine being Michael, and I didn’t want sobriety. Without him, I would have nowhere to look to find purpose, to find perfection. My mother probably feels the same way about whiskey. I go home as rarely as I can to avoid my guilty conscience.  It tangles itself into knots before I can blink and the world suddenly becomes so overwhelmingly loud, and so unbearably close.

But anyway, at that party, Michael didn’t say a word to me all night. I don’t know why and he never explained it but it was unbearable. It got to about 2am and Michael was too drunk to stand or speak coherently, but he put his arm around me and was slurring about what a cool guy he thinks I am, and I didn’t care that he was so drunk he’d never remember that he had no intention of kissing me because then I’d have to think about it. I thought I'd died and gone to heaven. I remember being excited because we were going to leave the party alone but together and go back to Tarantula Hill. I was behind the wheel and as we pulled out of the driveway I saw something small flash across my rear view mirror and then heard the thump. Julia stood there crying and picking at her manicure; she wailed, “What did you do?” Michael was abruptly sober and his eyes looked like magic eight balls, with huge black pupils, his irises gold. I was saying it was an accident and he yelled at me to shut up and so I did. Then we reversed back over the dog- I threw up violently into my lap but it was likely the beer and Vicodin- because there was nowhere else to go. In the end I wrote Julia a note- I’m sorry, I’m sorry- and put it through her letterbox a couple of days later. That was when I found out that Cole was home, because he lived just opposite Julia’s house where we’d run wheels twice over the dog. He’d gotten out of hospital and I hadn’t seen him. 

Nobody saw much of him for the rest of the summer or asked any questions, but I think he knew. The headaches and insomnia became so unbearable that I asked Garrett's bandmate to hook me up with some oxycodone. I could afford it at first, but after a while I learnt that there are certain compromises that have to be made to get what I need, and I also learnt how to shut off my thoughts with their sharp peaks and descending spirals and do what needs to be done, as if I can operate my body from the outside, like a piece of machinery. All I do is imagine I'm with Michael. I remember that Cole and I used to be close and spend time together but I can't remember why or what we did. I don't know much these days except that I'm in love and in pain at the same time, and that I did a terrible thing. That terrible thing happened not because I was in love but if I hadn't been, maybe it wouldn't have happened. I can't think about that- all those other possible consequences and outcomes, the butterfly effect. I've taught myself not to look at my hands and wonder whether something took control of them, or whether they are weapons. I needed to teach myself to think in certain routes because the truth will never be spoken of.

That was, of course, the first fear. That Cole would tell. He had no loyalty to me anymore, so he could have. He was probably encouraged to, demanded to. We waited with our hands in our pockets, nails cutting crescent moons into our palms, but nothing happened. Nobody knocked, nobody called, nobody said anything, not even us. Cole never said anything, not to anyone at all. But every time I drive down that street I get the feeling that someone is watching me. 


Wednesday, 8 July 2020

Dictionary Poetry

https://issuu.com/daisychristabelking/docs/astrum_photography__4_

It's a collection of words, each beginning one letter of the alphabet, and its associations- ones that origiated in my experiece or imagination, others that were inspired by those I have adored lengthily and known only briefly, and sometimes a word simply evokes memories in you that cannot be explained. So, click on the above link and see xxx

Sunday, 3 November 2019

Am I okay?

There is something about this darkness- it conceals the best of us and reveals the worst and maybe that’s why roads are always deserted during the little hours.

“Are you okay?“

Sometimes when I’m on the street my knees buckle, and my eyes start to loosen, and something is disturbing because strangers ask me if I need help.

Sometimes my breath gets caught in my throat for no reason other than because it doesn’t see the point in rising out of my lungs.

Sometimes I am making a point, talking about an issue I feel passionate about or want to debate, or am answering a question, until I realise I am living alone and I have been talking to empty spaces.

Sometimes I wonder if I were to swim far enough into the ocean, I would just let go and dream and get swept away by the waves.

Sometimes I am afraid to look at myself in any mirror or reflective surface, afraid to smile, afraid to be the girl I should be, surely.

Sometimes i stare at my hands and wonder about palm-reading, attempting to etch the lines in them- heart, love, life - but it’s all in the head, not the hands.

Sometimes I don’t know were I am or how I got there, what time or day it is, what the hell is going on, and whether I’m broken.

Sometimes it’s like the sky is scraping against my scalp and my fingers are rattling, meaning I’m nervous and over-tired, which is why I see glimpses of men in my peripheral vision, who were never there when I turn to look.

Sometimes there’s a ringing in my ears, the vestiges of some old argument, which makes me

wonder what I could have done.

Sometimes there’s just not enough. Sometimes there’s just too much.

Yet there’s something building, breaking and churning, roaring, shattering and collapsing,  tumbling amid the dust clouds rising, rising, rising, rising -

What did I do? What is defective in me and can I do anything about it and most importantly, will the people I care about worry too much or care too little? I don’t know, I can’t breathe, and oh god oh god oh god oh god what do i do what do i do what do -

“I'm fine, why do you ask?"




Thursday, 31 October 2019

Cut up and amended Plath poem

Even the silence was silent, and it was you,
all up inside my head; I couldn’t quite make it out
that spring that came with a roar beyond and above
these figs, all looking so rusty, so ugly, the way
they plopped to the ground. some people getting less
and some more. I must not have always been like this.
There is something so demoralising about watching
the habits, gestures and behaviour of others;
I’d never once thought about it before.

But life is loneliness and one can never outrun it.
I am simply my own silence. I close my eyes
and hear the world in constant motion outside me,
happy, I have been inadequate all along.
I am my own silence. All I heard was the bray
of my heart- this is the song of a mad girl.

I need to fabricate an outgoing nature so
that I might gather the guts to want something.
There is so very much I want to learn, and
I came dangerously close to wanting nothing,
So from here and now, all that despair, the feeble parts,
every hellfire of every nightmare and each time
the blackness gallops in at night- I intend to live it,
feel it, and somehow find a happy home far from fire.

All the world I must have taken for granted,
viewing it through small cramped eyes, always so
introspectively passive and melancholy.
Now I’ve learnt more of it, I am not so easily fooled
by false faces dressed up and painted blue and red.

There is a way out and it’s not a constant, I know this.
From that despair and woe you can come ricocheting
towards a sense of fulfilment, laughter, and even hope.
The trouble is that we always boomerang back- but it’s
just a matter of time- for a time I believed in mermaids.

When you kissed me I felt my lungs fill like trees with
something beautiful but certainly annihilating.
Dying is arbitrary, Anyone can do it but why want to
even if there’s no meaning to be found and even if
madness itself takes you out on a moonlit waltz.

 A fellow student asked- who are you? I am. I am. I am.
A girl with horrible limitations, too many neuroses
and a desire for companionship, other than an illusory
feathered thing that sits on me nightly. She replied-
I don’t know who I am either, but why drives you?
I do it because it feels like hell, because it feels real.
Committing suicide is not creative expression, she replied,
and it’s not a statement, and you have a life to live, so why?
The words were released, held in since ten years old
when I first tried it; the words that I couldn’t explain.-

I guess you could say I’ve a call, I said. One moment
and she put her hand on mine, and lowered her voice
to a murmur, said, cut the telephone off at the root
so the voices won’t get through. I shut my eyes and
wondered if I had really made her up inside my head.

Sunday, 28 July 2019

'Popularity Contest' is the name of the exercise

I have this book called Smash Poetry and it's got some very quirky exercises in it but because I've been a bit shaken up lately my attempts to be write from my scrambled mind have been futile, so this particular task attracted me. I don't need to explain what it is- you'll figure it out.

I've always depended on the kindness of strangers.
You're barking up the wrong tree.
Take a sad song and make it better.
He's got a chip on his shoulder.
Live and let live.
The play's the thing to catch the conscience of the king.
Dying is an art, like everything else.
How do I love thee? Let me count the ways.
Frankly, my dear, I don't give a damn.
The apple doesn't fall far from the tree.
Somewhere I have never travelled, gladly beyond-
The flowers you planted, mama, in the backyard, all died when you went away.
This the stuff that dreams are are made on.
Two heads are better than one.
I think I made you up inside my head.
An eye for an eye and the world goes blind.
The lights are on and no one's home.
So the women come and go, talking of Michael Angelo.
I saw the best minds of my generation destroyed my madness.
Ask not for whom the bell tolls.
If I should die, think only this of me-
Catch 22.
Curiosity killed the cat.
I took the road less travelled.
Do not stand at my grave and weep.
Wise sayings often fall on barren ground, but a kind word is never thrown away.
I carry your heart in my heart.






Wednesday, 24 July 2019

Home

The daisies on the heath are growing tall.
I walked through the grass, a thistle made me fall.

Maybe this is just how it goes.
The back and forth that life throws.
And maybe that's why I know
That I'm just starting to grow,
Just starting to learn to throw,
Until at long last I can show-

That I'm coming home.
I didn't think I would dare.
Didn't think I'd ever go home.
Thought I was already there.
With open eyes, I wasn't there.
With open eyes, too much, I care.

The love in your words makes my world warm.
When I wake up at six I think of you at dawn.

And you're not just my mother
And I've been such a bother.
I wouldn't debate what you say
If you wanted me to go away.
You're stronger than you portray
And I just hope that someday-

When I am truly home.
You will teach me how to cope.
You welcomed me back home.
I thought that I'd lost your hope.
I look at you and I'm there.
I look at you and I'm not scared.
I look at you and I'm cared.

When you came, wrapped me up and I felt your tears
I didn't expect you to forgive those unspoken years.

I do still need to heal and maybe it's not real.
But forgiveness is absolute
And that's saved me more than truth.
Now I'm welcome back home,
I don't foresee more hungry cold
Just a warmth and smile and glow-
So chaos, give me a throw.

I'm landing back home.
I've been away too long.
I feel the warmth at home.
Like an Otis Redding Song.
This is where I grew strong.
This is where I belong

I look at you and you care.
You look at me and I care.

Wednesday, 5 June 2019

May Hill

I’m with you on May Hill where bedsheets smell like tea and milk
I’m with you on May Hill where time stands still as if in a snow globe.
I’m with you on May Hill where I learnt the names of flowers.
I’m with you on May Hill where I waited for the morning birds.
I’m with you on May Hill where I am sorry I lost my mind.
I’m with you on May Hill where my grandfather died in his bed.
I’m with you on May Hill where all the stories began.
I’m with you on May Hill where quiet is heavier than sound but slower.
I’m with you on May Hill where what is thrown away burns in the garden.
I’m with you on May Hill where Christmas is redder and greener.
I’m with you on May Hill where green grow the rushes, oh.
I’m with you on May Hill where I first heard a lullaby.
I’m with you on May Hill where my grandmother broke a leg.
I’m with you on May Hill where I learnt to sing.
I’m with you on May Hill where we go out walking to Ella and back again.

Unfinished jigsaw

I am trying to learn over again lessons in love,
to teach myself how to be alone, without being
lost but I have never known how to be beautiful--

and I do not live anywhere but the room where
I sleep is so crammed with empty boxes and
all those empty corners I could build a nest in.

If I had the flesh for it and the energy for it
I could grow wings to pull myself up and then
fight a war with gravity and someday I'd win.

I could grow up if it weren't for a gap in the bed
that I am too small for and the gaps in memory
I am too big for, and for the emptiness of space.

Alone is a state of mind, in and out and between
and it's a place, a strange place I am and I'm not
and I've been here before but back then I didn't

notice the cold.

Wednesday, 10 April 2019

Inspired by The Bard

These violent delights will have a violent end
For now is the winter that we contend.
With fire and powder, explosions resume
Which, when we kiss we will consume.

To die, to sleep, perchance to have dreams.
The stars shine darkly, shedding their beams.
In malignancy of fate, what dreams may come?
Slings and arrows and a coiled mortal thrum.

I cast a plague on both your homes
When the summer’s day counted my bones.
My conscience made me afraid to speak.
Not wise, nor slow, just stumbling and weak.

It must be ancient grudges, a new mutiny.
The way the stars cross with dignity.
Just the same, please alter me no more.
I have one foot in the sea and one on shore.

Hell is empty and all the devils are here.
Nothing is the love and all is the fear
That will strike once wound, the watch of wit.
This new world has such brave people in it.

Don’t know what we are, just what we may be.
Taking arms against the troubles of the sea.
Yet it is on this stuff that we build our dreams.
The good faces are the deadliest, it seems.

I’m a witty fool and I’m a foolish wit.
Some become mad, some are born into it.
Whatever piece of work is man?
We defy the stars whenever we can.

In forty thousands came all the brothers.
Though God gave me a face, I made up others.
Light will break from yonder window tomorrow.
Until then, goodbye is such sweet sorrow.

Beware the leader banging his war drums.
Something wicked this way comes.
This above all- just to yourself, be true
And doubt the stars are fire, not that I love you.

Saturday, 24 November 2018

Saturday, 27 October 2018

Heavy Is The Pen That Writes 'The End'

1) Nothing has been noticed yet. Nothing has been felt. Calendars still shed pages and schoolchildren keep growing up. Newsreaders always speaking in tongues, in muted voices giving soundless shapes to weightless words. The tide still comes in and goes back out. The clock tower chimes again; nobody hears. The sea is a mirror.

2. They will eventually say that they always knew, even as early as this. In basements and fifth floor apartments, these individuals have headaches, bad dreams they can't fully remember, persistent deja vu. Tiny breakdowns felt like repeated tiny earthquakes. The heavy bearded man sleeping on the street outside the train station has felt it. Collectors of article clippings reporting terrorist attacks and loudly declaring themselves non-believers probably felt it too. But they weren't to know this was the real thing. Many of the incarcerated population might have felt it with fight and not fear, but their view came in slices, from behind fortified walls, mostly recycled, or only remembered.

3. Light sleepers are woken by friction. Paperclips, earrings, the buttons on winter coats. They swear their televisions aren't working. They secretly swear that the figures on the television aren't who they are supposed to be, they've been replaced by impostors. Breezes seem to thrum and sunbeams whistle through hair and fingers. The postman signs in to work under the wrong name and waits for something to post. Under the cacophony of everyday, small bells are heard ringing.

4. No one can say the last time they remember a new novel being published and publicised. Favourite radio channels are tuned out when listeners realise they have heard the same songs on a broken loop lasting about a week, and every week starts and finishes to the same soundtrack. Magazine articles are chewy, conversations about current events stick to people's teeth. Charity workers are seen shredding their literature and begging for change. Something feels different but nobody says anything because nobody understands exactly what has changed. More people hearing bells, fearing insanity, accepting loneliness. The priest notices that the church pews are empty but so many come asking to confess that he dreams in black and white, and words in the confession box feel like words exchanged at the bank and at the supermarket. There's a commonality in the way food smells. Drinking water has more viscosity. It feels harder to pick up a pen. Furniture appears to sigh in frustration when you sit or lean on it. Newspapers quietly fold themselves.

5. Policemen cave in the cheekbones of a seventeen year old car thief. Their radios are scattered with reports of domestic violence, fire-setting. The neighbour's cat turned up dead in a garbage bag in the shallow parts of a reservoir. Breezes seem to bruise and sunbeams sting.

6. The heavy sleepers are woken by large bells ringing, knocking about in bell-towers. Some people hang flags from their balconies. Those who live on the ground floor throw beer bottles out of their windows. Long vindictive and threatening messages are passed back and forth between computer keyboards. A disproportionate number of people privately plan attacks on strangers, on family members, in schools and on playgrounds and in churches. Hospital nurses stay home with crippling migraines. A politician is quietly arrested on the grounds of sexual assault. Trees falling in the forest, everyone can hear them. Nobody explains why the leaks from nuclear plants are infecting surrounding civilisations. Nobody explains why no help is coming. Nobody explains God anymore and the priest wonders whether he ever existed. Roofs ripped off. Rivers drying up. The incarcerated broke out then broke back in, reading their own last rites. Bridges are teeming with people who dream of jumping.

7. Houses are left empty, when families pack their belongings into cars and just drive away, with nowhere to go. Policemen break the spine of a fourteen year old vandal. Most people don't read magazines or watch the news. Every well-known radio personality has gone quiet. When books and music records are burnt, people yell and cheer and fight, some throw pipe bombs, some set cars and houses on fire too. People don't pick up pens anymore, nothing is written, no names are signed. The monuments in cities cannot be repaired, and the pigeons that once crowded them stopped visiting.

8. Even the smaller towns are flattened, their foundations pulled out and crushed. People rarely say their own names with so little need to. Trains don't run and when the air traffic couldn't be controlled and a plane full of people making a last effort at escapism dropped from its road in the sky, nothing was left but ash. Breezes are bloody and violent, sunbeams stop. While the priest tries to pray, the congregation pull his church down around him and when he turns to God, all he hears is footsteps. Hundreds of people in a crowd followed one another off a bridge.

9. An epidemic of self-mutilation. Revolutionary suicide. It is impossible to stand. Nothing moves, nobody tries. Nobody knew the extent of damage until it was already beyond repair. Smoke does not rise, it just hangs, moving horizontally. The only things that don't break are the waves, boy's voices. Not even promises get broken anymore because nobody makes them. All the birds nested in one tree that was chewed up paper a long time ago.

10. Complete catastrophic destruction. Damage is entirely total. Nothing is felt but perhaps the very quiet motion of the hour hand on a clock.  The sea is white.



Tuesday, 3 July 2018

Hamlet (the first drafts for the musical)


Slings and arrows, now natural shocks can start.
Something is rotten in the state of Denmark.
The rub of words, words, words; I'm sick at heart.

The woman changes faces, I know her as Frailty.
And we know what we are but not what we may be.
Shake off this mortal coil, get thee to a nunnery.

The rest is silence and to thine own self be true
Though you listen to many, you speak to a few.
You see clouds in the mirror of nature, hanging on you.

The bad beginning, the worse stays behind.
Rich gifts wax poor when givers prove unkind.
There is method in the madness of my mind.


Saturday, 30 June 2018

The brittle bones, the fallacy.
Two telephones, buried at sea.
The lifted flag, the lost milk teeth
the paper bag and what's underneath.

A web you weave to catch bad dreams.
A heart on a sleeve, ripping the seams.
A secret past and secret scars.
Driving fast into a wall of stars.

A lighthouse beam, a lullaby.
A polished gleam, a butterfly.
The poetry that I never wrote. .
A symphony and an old love note.

A hymnal page, the sinking sands,
the critical age and the handstands.
The endless fight to conquer fears
Put world to right but no one hears.

A halcyon day, a rumour mill,
The buds of May, the walk uphill.
The watchmakers, the tides of time
The undertaker and the victimless crime.

A cracking spine, a cool pillow
The borderline, the black echo.
The language no one can understand.
The clenching fist, a holding hand.

A lone scarecrow, the warm weather
An open window, a bird's feather.
The telephone line, a pair of shoes,
Look for a sign among the cryptic clues.

A climbing frame, the ace of hearts,
the misplaced blame, a sum of parts.
A train station, the empty seats.
A publication by the king of the beats.

The stepping stones, the wooden style,
The distant moans, the gap-toothed smile.
The rule of thirds, and the quiet place.
The unsaid words to find in your face.

The ballet shoes, the broken string.
The lost marbles, or wedding ring.
A fire escape, a creaking door
A cassette tape and the sound of war.

A poltergeist, a crucifix.
A jewellery heist and pick up sticks.
A panic attack and a perfect plan
that leads right back to where it began.

The atomic clock, the dream seahorse
A rusty lock, an obstacle course.
A penny tossed, found on the street.
A fortune lost to the vast concrete.

An empire falls, a city grows.
A stranger calls, a TV glows.
A cigarette, a creased street map
A risky bet and a dripping tap.

A whiskey slur, a suicide.
The days a blur, the nervous bride.
A nightingale, a fireman's pole.
A lucky pencil and a last minute goal

A daisy chain, a pharmacy
A growing pain, a bleeding knee.
The looking glass, a game of chess.
An all day pass and a cotton dress

An inhaler, a mountaineers grave
A suit tailor, an underground rave.
A man's best friend, a Masters degree,
a pardon to mend, and a dictionary.

The bitten nails, the guitar chords,
the fairy tales, the hospital wards.
A Greek tragedy, a lucky break
A dead body dragged from the lake.

The thunder claps, the perfect ten,
the afternoon naps of way back when.
The foolish gold, the treasure chest.
The winter cold, the Sunday best

The ecstasy, the forget-me nots.
The peace treaty, the polka dots.
A makeshift phone, a string and can.
The long way home for the homeless man.

The paper planes, the splashing tears.
The picture frames, the Brighton piers.
The message I heard so long ago
and don't remember a word but somehow know.

The railway tracks, the acid rain.
The jumping jacks, the weathervane.
Something too bad to ever tell.
Just as sad as horses on a carousel.

The sunlight spills, the Richter Scale,
the wind that fills and pulls the sail.
A time capsule that no one found.
The deadly duel, the speed of sound.

The wishing well, the final scene
The kitchen hell, the quarantine.
A new currency, the falling leaves
The conspiracy no one believes.

A helter-skelter, a crocodile
The summer swelter, the final mile
The clever pun, the lost balloon
The eclipsed sun, the honey moon.

The one mistake, the highland fling
the homesick ache, the birds that sing
A twin sister and a toboggan sled
An orchestra on the ocean bed

A promised doom, one of his cons
The same perfume, the ghost of swans
The spindrift dancing on the beach
The mermaids drift singing each to each.

The static shock, the red yo yo
the city block, a grand piano..
The daffodils, the way night falls,
the yellow pills and the lecture halls.

The time you chase, the lips you kiss
That remembered place that you miss.
The words that fail, the fairy dust,.
The hold grail and the wanderlust.

A circus clown, a thirsty flower
A quiet town, an old bell tower.
The dinner guests, the soliloquy,
the cuckoo's nests and the library.

The human brain, the therapist,
a hurricane, the bucket list.
The one sentence that is true.
The repentance and you're good as new.

The story told, the war drum
The broken mould, the tunnel's hum.
A pledge we made when the sky was clear
Some people fade but I'm still right here.

The topmost shelf, the ruins of Rome.
The Divided Self, the nowhere home.
The huge tree roots, the ego death,
the muddy boots and the stolen breath.

A time to grieve, a crystal ball.
The make-believe, the wake up call.
These new delights with violent ends.
The city sights and the childhood friends.

The astronaut, the song you hate.
An afterthought, a big debate.
The work that's praised for it's content.
The voice that's raised in argument.

The cradle songs, the wrecking ball.
The righted wrongs, the Berlin wall.
 An open throat, the saltwater
The swaying vote and a problem daughter.

The rolling stone, the loneliness.
A large trombone, an awful mess.
Dropping the plates, I hear them clatter.
Everything breaks so what does it matter?

The copper wire, the candy floss.
A forest fire, a massive loss.
The dream that stays by a sapphire lagoon.
The hope better days are coming soon.

The censorship, the whitest lies,
A synthetic hip, the Nobel prize.
The democrat versus the fanatic.
A sleeping bat hanging in the attic.

The handshake deal, the paranoid.
The Achilles heel, the asteroid.
The paper route, the superstition.
Forbidden fruit and a premonition.

The golden ratio, the parted sea.
The status quo, the etymology.
The traffic jams, the hide-and-seek.
The anagrams and the doublespeak.

The artifact, the coat of arms.
The signed contract, the lucky charms.
A rattled cage, a pitted peach.
The golden age and freedom of speech.

The hummingbird, the same routine.
The spoken word, the guillotine.
The wisdom tooth, the family tree.
The absolute truth and hyperbole.

The politics, the chewing gum.
The River Styx, the rule of thumb.
The little hours travelling in boxcars.
Keeping flowers inside old jam jars.

The purgatory, the barrier reef.
The allegory, the comic relief.
The chalk outline, the golden fleece.
A valentine and a masterpiece.

A flowerbed, a show of respect.
The figurehead, the retrospect.
A skyscraper and a rocking chair.
The newspaper and the serenity prayer.

The altitude, the winds of change.
The solitude, the mountain range.
Ear to the ground, story in the soil.
A merry-go-round and a mortal coil.

The silver screen, the alphabet.
The submarine, the safety net.
The vocabulary and Desolation Row.
The cemetery and the devil you know.

A message in Morse Code, an inglenook.
The less travelled road, the holy book.
The unconscious mind, the master race.
The moment you find it and it looks like grace.

The nom de plume , the Sistine Chapel.
The waiting room, the poison apple.
A sleepy yawn, an amphetamine.
The break of dawn and a tambourine.

The hierarchy, the boarding school.
The patriarchy, the swimming pool.
Mother's day. a cup of tea.
Feng shui and reality TV.

The improvisation, the summer heat.
A murmuration, a skipped heartbeat.
A kind stranger, a Swiss army knife.
The threat of danger and the meaning of life.

A hangover, a Suffragette.
A four leaf clover, a pirouette.
An election campaign, a case of frostbite.
A line of cocaine and the gentle twilight.

The curiosity, the Edelweiss.
The velocity, the paradise.
A weather forecast, your own keepsake.
An iconoclast and a little earthquake.

The new president, the bourgeoisie.
The long lament, the life philosophy.
The past connection you try to forget.
Making a collection of all your regret.

The curtain call, the dismissed case.
There wherewithal, the hiding place.
A skeleton key and exponential growth.
An insanity plea and a sacred oath.

A heart transplant, a turning screw.
A confidante, a dream come true.
A Gothic arch and a motorcade.
A funeral march and a masquerade.

The work of fiction, the vertigo.
The drug addiction, the mistletoe.
Modern jazz and a chromosome.
Alcatraz and a broken home.

A paperweight, an intrusive thought.
A blind date, a contact sport.
An archetype, rules of etiquette.
A tobacco pipe and a marionette.

A weeping willow, a fountain pen.
The fashion show, the three wise men.
A pantomime, a master of disguise.
Organised crime and wandering eyes.

The innovation, the give and take.
A hallucination, a birthday cake.
A careless blunder and a a turn of phrase.
Dare to wonder what is in a gaze.

The sad violin, the laughing gas.
The original sin, the fresh cut grass.
A watcher of game shows, a hit and run.
All the dominoes falling one by one.

 An accident, a research grant.
A circus tent, a nuclear plant.
The call to action and Murphy's law.
A chain reaction and a tragic flaw.

The third dimension, the tectonic plates.
The best intention, the direst straits.
The cover girl and the taciturn.
The precious pearl, the point of no return.

The hunting season, the olive branch
The voice of reason, the avalanche.
A sycamore and a nervous tic.
A prisoner of war and a walking stick.

The speech in sign, the tired feet.
The closing line, the bittersweet.
A small goodbye, a tale to tell,
The always why and a last farewell.



Poetry forms example

A while ago I made my own poetry form that was a poem that could be read left to right, line by line, as any other poem would be, but within it were three other poems, to be read down in the three columns. When I wrote it, each column had a different meaning, and eventually I made it so that the two furthest columns were opposing each other with regards to the poetic content while the middle column was balancing and finding a middle ground in its meaning- you can see it here: Mirror(Me) poem
Since then I have tried to replicate the poetic form but have never been able to work out anything that carried the same meaning and relevance found in where that meaning was to be read on the page. Yesterday I was listening to some songs and used them as starting points to try and at least use the basic poetic form- the poem that can be read left to right, line by line, as usual, but can also be divided into separate poems in the downwards spaced columns as it's written. These very short attempts by no means have parts within them that offset their other component parts, but they can be read as four separate poems, with separate meanings. I'll keep trying but I think the mirror poem was probably a lucky one. 



Monday, 23 April 2018

Thursday, 29 March 2018

More dictionary poem entries, E-I








Psychology Rhymes

Phonological loop,
Tests like the Stroop.
Randomised group.

Sphericity.
Implicit and explicitly.

Delayed autitory feedback.
Panic attack.
Social categorisation is more than white and black.

Hypothalamic-pituitary axis.
Anterograde amnesiacs learning through practce.

Exexcutive control.
The probability of another goal.
Gestalt psychology making it whole.

Psychodynamic.
A little more panic.
Serotonergic secretion.
Ego depletion.

Goodness of fit.
What's the word for it?
Smoking is a death escalator- you had better quit.
Remember to implement your intent.

Heuristic.
Autistic.
Typical occitipal.

Fundamental attribution error on the road.
Illusory conjunction and cognitive load.

Sapir-Whorf hypothesis.
Stress-diathesis.
Social cognition.
Word and sentence recognition.

Logarithmic transformation.
Preliminary steps towards construct validation.
Stranger situation to test attachment formation.

Sum of total error.
Irrational terror.



First four entries of the dictionary poem





Thursday, 8 March 2018

dystopian aesthetics

- overgrown wildflowers licking rundown buildings and cracked pavements, a morbid painting
- cityscapes lit in neon, shop windows aglow with an enticing pulse
- intricate bridges and self-driving cars zipping along electric transoceanic highways
- every home appliance is automated, all service is carried out by machines, roadside eateries populated only by solitary diners and robotic waiters
- in the polished city which sits underneath a geodome that shields its glass and chrome structures from the erosion of vicious acid rain, nothing natural simply grows but is modified, planted, arranged, designed; it's only on the outskirts where you might find wildflowers or weeds, where you may find natural trees and shrubs and grasses, and this is by most considered part of what is wrong with the world, considered to be mess by a populace who are accustomed to the strange dichotomy of having control over so much at the same time as having given up control to artificially intelligent machines and other technology
- in the areas that have not been refurbished lie houses with shambled rooftops and mould infestations in every corner, ash lining the streets, gaunt faces peering out of fogged up windows; they say that in such places, at night, you can hear the screams reverberate over routine sounds of traffic and holographic advertisements for mood stabilising pharmaceuticals, subcutaneous implants that enhance the senses and combat diseases, and life insurance plans; somebody has spray-painted a plea for help in code over an old and faded 'we're open' sign
- Michael Jackson songs reverberating from the insides of nuclear bomb shelters where people escape into their alternate and entirely virtual lives; the boundaries between existences, real and simulated, becoming more blurred and imperceptible
- you can find illegal drug-laced tattoos on the arms of individuals, inked in night club bathroom stalls, the best highs produced by the ones that glow in the dark
- people becoming gradually more aware and even paranoid with concerns about increased surveillance and intrusions on their privacy; you can feel them behind you, their breaths hiss through teeth gritted behind gas masks
- you avoid paying attention to strangers in terrifying make-up and flamboyant costumes because escaped video game characters are not to be trifled with and a bunch of pixels can’t hurt you, at least that’s what the news says
- shady underground dwellings where people on the border of society, people who can’t afford to continue the breathless race in pursuit of perfection or do not have the motivation or energy to continue bettering themselves and their surroundings, these people collect dust and turn to self-harm or violent crime just to remind themselves they are still real, still alive
- outside the geodome, black rain viciously beats down from the sky every six months, corroding the windows of abandoned cars and what used to be supermarkets, council estates, schools.

Wednesday, 7 February 2018

[Cloud Curtains Drawn]

The south-west gales that beat gulls free
aloft above the ordering, the ancient infirmary.
Fuel maintained and mouthed without a thought,
all jewelled, all art unpricked, untouched, never taught
to the thousands of men facing threats of a flood
consisting of forgotten courage and blood.
Phantom eyes, jeapoardised, focused on the cause
not illusion but as close to foregone as the laws
that held together what is now an unravelled thread-
a bounty can be cast upon any man's head
and not just those that have unjustly others slain-
the innocent, the guilty, death always in vain.
Ambiguous lines drawn in the dirt, in the gloom.
The fleet that shattered and sank into circling doom.
An exhaustion so great that it is never past,
yet strange as the winds caught in the low mast.
Amid a loud conscious, abjectly monotonous
and flat-bottomoned brooding, a static rottenness
smothers all space, cements every door,
until the air is thick with scurvy and all feet are sore/
Wharfside pigeons don't sing but starve in the sun.
The ocean's depths has limits, this toil has none
They do not dare to disclose it, if they do know
anything true about this formation, to stay or go,
what is lost and what is won, and if it's the latter
what it is worth and why it might matter.

[Inspired by a cut-up technique using The Dynast by Thomas Hardy as the corpus text]