We’re out on the rooftop, just us two, moon-bathing in shared solitude and lungfuls of the sky until our skins are a little tender. Even though what’s up there looks empty in comparison to the corridors downstairs, where we are frostbitten by the nurses’ eyes always watching us, trying to make their maps of us, we feel more exposed to the moon than we do to the white-coats. We formed an alliance, the Fugue-Boy and me; he calls me Pinocchio. Inside we stay silent so they won’t catch even a drift of what’s on our minds in truth. The times we have spoken aloud, we moulded our words into old English puzzles. Up here, more in the universe, in our paper gowns and the blankets we brought, untangling moonrays from our hair, we are trusting with language. You can't help it really. Anyway, the moon must drop eaves on the fluttering of our conversations as we sit in a jumble of missing parts.
“They make marmalade out of meanings,” he says, and his voice is digging. I know he gets angry when they treat the patients like children instead of poets, but he seems to react with a resurrection of his little-boy self. I don’t know why but I don’t ask. I just listen the words he spits out all sharp, like bites, like bullets made by his lips in between their pulls on his cigarette.
“It sounds so awfully like gibberish.”
Nodding, half daydreamed away, I reply, “Their throats get dense, being so bitter. It makes me queasy.”
The wind whips up a little and the hospital robes cling to our silhouettes. We’re just two ghosts now. We might as well have disappeared with the others.
“It tastes bitter always stubbornly pretending.” He looks over at me with those eyes that combed any pretences out of me when we first met, and any connection to the girl people used to call Penelope. She was always looking in daggers at the world, sharpened knives. It just looked spoons back
“You need to fix those eating habits,” his expression has become criss-crossed with various frowns. I don’t like it when he gets irritable and fights, but I know he’s afraid of losing me- that I’ll cut the string that anchors me in my body and drift elsewhere, or that I’ll be moved to a different bed, and in either case he’ll lose his friend. Without an any alliance, they break you down pretty fast They did it to George-Goodeye and Angelhead, two boys, both writers, who got cut into pieces exacted by the nurses, and they gave away everything intimate. They didn’t have our rooftop, and I think they were afraid of a real alliance. Fugue-Boy thinks they were both gay but against being gay. Their family made all their decisions about how they spread things like that, or their money, until they had not much of either leftover for anything but hospitalised poverty.
I look down at myself, and it's vague but I see skullheads glare in my knees and wrists. “I’ve been eating more because I get hungry thinking about things,” I confess, and he’s not tender in tossing the dart of his reply, “You’re all eclipsed, you’re going blue and I think it’s bone-death.”
I don’t know whether or not I have got that in my veins but I’m wordless.
Quickly, he is back to his schoolboy natural, “I want to get irrevocably drunk.”
He is always in the mood to drink. He says that he's in the "moon" for it, and his tongue gets longer with each swallow. I think it helps him breathe his real madness out. He reminds me of a song when he is drinking and I don't even know the tune but I know I sort of like it. I always spill and come over all sleepy. But I don’t falter when he pulls the vodka bottle from under his sheet gown and offers it with an expression that makes him look just like something that’s perfectly fitting to foxes.
The drink deadens my muscles at the first sip, like different hands surrounding me with pillows. He opens his throat again and pours back more. Even more like a fox, in my daydreamed sea.
The spreading of the galaxies and their wings feels tender as if the whole sky is there for our protection. I don't say this out loud because he scolds me when he thinks I'm delusional for grandiose thoughts such as that. He doesn't understand that it doesn't have to be real to feel something about it right in the roots of you. Well, he does for some things and not for others, but aren't we all like that?
I feel my spine against stone when I lie down, pressing my back to the flat of the roof, letting the night peel away my layers one after another, slowly, and get itself into all my corners. Once it's settled I declare, “I want to play with my Doctor's typewriter.”
His voice drifts away and I’m rising on the surge of an onslaught of words. A dictionary opening to empty all the pages' contents in a clatter over me.
“If you want to be a fantastic writer,” is the last I hear him say, “you’ve got to stop using those apostrophes.”