Lorelei
To keep him in my memory hurts. He locks himself in a room and how his loneliness and his fear rattles my brain like an electric current. He changes the matter around the concrete parts of my life because he wants a safe place, he wants a deeper blanket in a confined space and in such a space the only way to create distance is to be small, inconsolable.
Glowing and desperate, somewhere still inside me, come out where I can speak to you and tell you that I love you without blame. You dear disease, I will show you the big empty house we live in together and what has filled the spaces and the spaces of you that will never be filled.
It can be wonderful until I can't stand it and now I can't stand it, and I am still living. You must be too, wherever you are. You believe me, disturbed by your own unbearable position in nature, nowhere and yet everywhere, at least for me. I have given it so much thought, more so than anything else I ought to be thinking about. The youth and dark gravity, the memory and how it stutters, sobs, shatters, shines its refractions. The future is uncertain. Uncertain future has arrived, by default, and I work to perceive your absence, constantly, tenderly.
Sadie
It happened when I was thirteen. It was taken care of, no questions asked, no disagreements or agreements or any words really at all. Once I was in a position to put it behind me and could easily go on believing it never happened, I still felt there was something wrong. Something fundamentally wrong with me. Maybe it had nothing to do with that mistake. Maybe it had everything to do with it. Sometimes it’s painful to look at Sal because he’s my mirror image, except he’s a boy and I’m a girl. We ought to have turned out the same, at least as equals. We shared a house, an upbringing, an environment, an education. He wasn’t the favourite. I think I might even have been. But now, I look at him and he moves about effortlessly. He doesn’t need to try, to smile or to get serious. He’s got this strange crowd at school. They are like his disciples. While he’s out sitting on the hood of Colby’s car drinking beers and talking about nothing too important, I’m counting the pills I’ve still got left in the shoebox under my bed. I’m crawling up walls, staring out of windows with every urge to climb out and not come back, counting down from one hundred backwards in my head, or wondering how long it would take someone to recognise my absence if I just disappeared. I’m fundamentally malfunctioning. Sal is running smoothly. Perhaps it’s the difference between boys and girls. I’ve tried to fit into so many costumes I couldn’t tell you what really exists underneath them, what I’m really like, or was like before finding that seamless image and the ability to wear it as your own skin became such a priority, such an arduous task. He’s never been anyone but Sal. I have to love him, but at the same time, I hate him- it’s so easy for him and he doesn’t even know it.
Rudy
Sometimes I think my father a deranged glassblower because of all the fragile he builds. If he sits with me at breakfast he’ll make mountains out of salt and pepper across his eggs. He’ll fold a pile of laundry lint into a dollhouse. He’ll build a rocking chair from straw on the front yard. I like to think no one’s scolded his hands yet. No one’s bruised his palms or crushed his fingers out of anger, out of sadness. And I think to myself, why did I not learn that, how to create beautiful and delicate out of nothing. I want to puncture a hole through my stomach and use the air to fill a hot air balloon. My body is a series of sharp angles and overexposed photographs, left in some solution for quite too long. My body regurgitates everything, chewing driftwood, swallowing a mixture of cinnamon and sand. How can someone create something so beautiful? How is it that there are people who try to vomit new, vibrant land into the ocean, but only end up leave a hot oil spill in their wake? And out of some nondescript frustration, I ran away once. And left my father a paper animal at the foot of the shed door before disappearing into the woods behind our house. But he, with his inventor’s hands, created a hundred of my little paper animals to leave a trail through the woods, ushering me home.
Oliver
Milk teeth and coffee powdered nose. Birds scraping seeds off the small carved table just beyond the window. Sometimes the air is so thick at night I’m afraid to breathe it in. It’s like asking my lungs to swallow all these secrets that aren’t mine, these unspoken words that don’t belong to me. They look my way strangely, quizzically, as if they want answers to questions they’ll never ask. I know what happened here before I came. Or at least I know why people are looking at me and my parents and the house and its windows and doorsteps and rooftop the way that they do, even if what happened didn’t happen between these walls. I mean, if it had, someone would have found evidence. Someone would have found motive. Someone would have found the solution, the key that locks the door behind us, a means of closure. Nobody has that. I didn’t even know him or know the events that surrounded when it happened or know his family or friends, yet it feels like they know me, because here I am, sleeping in his bed, walking in his hallway, sitting watching the birds at his window, while he’s not quite there but not quite gone either. I have a sickening feeling that unless this ghost, this echo of a person, the shape they left behind that sits like a vacuum right beside me- until it’s exorcised, there won’t be room for the both of us.
Lorelei
Too much self on the small slice of a voice, all falling off. We looked at onion skin under a microscope and it looked like everything up close. Do you remember when we did that kind of thing for school. and everyone did it, all of us in a room and then the next class and the people next year, this was what they did. If that was there it makes me shake. Maybe we should go home now, let’s get out of this room and go home. There is something tender that holds me by my elbow and lets my head fall down but i’m still moving clumsy as someone that doesn’t know yet. I don’t know yet. I was a kid and I thought i was the same as every kid but a little more scared. You can only be a little more when you have a little body but i grew out like the rings of a tree. I don’t like the metaphor of trees. I like looking at the places dark birds fly over in pairs. They move in and out. They are the air. We look at them and think they are ribbons. We are wrong. We think it sticks. We are wrong.