Friday, 20 October 2017

Routines of arbitrary stillness


Love like a butcher knife. carved out, and blindly awake
as the star alive in the sky. pointing north.
A cadillac with a massacred paint job, bad orchestras,
hollow at the heart. Good riddance. you hear that?
We can cultivate careful flowers and preserve hands
like clay or lake water; delineate what I know -
all the missed calls, together trying to suspend grief.
I liked that version best. On the day before the war I woke
to forget safe, forget someday, to forget all I have done or can do.

Take memory of us as children, pale backs to the open air,,
unhinged and split down to the unsolved sum of their parts.
Language is out of whispers, out of dental floss, out of spines
and I want it gone. the gossip of eyes. Your face healing,
becoming wider, slicker, something peculiar, mystifying.
Chipped paint, my broken toes- here, eeriness is terrifying
and irresistible. We’re made into animals, into streets
then shadows, our ghosts finally unravelling in gilded seams.
The sun creeps down haunting myself from within,
heart yawning open, wider with each passing moment,
your empty promises of bones or something like that.
and your hands open, larger each time twisting away.
shuddering yellow as butter, as wheat field sadness,
right there in a parallel universe where this isn’t quite natural.

We were sheltered in spiderwebs, rundown by motels
with blasted neon. My brain has become a fuzzy blank.
I am sick of cries from the mouths of birds being poached,
colossal grief in the sky, grey slabs of meat, banality, lawyers,
a gesture, a mouth bruised for air, the thing you feel
teasing at the sutures, the faraway planet. We never get it,
maybe something close, but always something else:
a variable, some otherworldly energy blast from a hero’s eyes
and the high sinister jagged moon looking down on night
demanding that it hides different versions of itself.

We recited stories of dragons everyone knows and pretends not to.
The only thing I know is to be gentle, to be flaky, and too quiet.
There's floral wallpaper in a steamed up bathroom
and this sadness - the kind of fear of seclusion, window
on a ruinous heart, carrion catcher, sleep in the pits of reddened 
eyes.
contaminating poetry about love and bicycles, that 1920’s echo
in your empric mouth. I remember the laughter of people long gone,
an old whisper to an old friend, “Shhh, don’t spook them."

Fear is not one to reason with. Time zones in clumsy prayer.
How the mondays folded in on  birds, my willingness to spill blood
at every opportunity. Don't think about faraway fragile nests
and the whole dizzying unfair gentleness of it all.
It's 5 AM and what’s left is the delirium to pry dawn open.
An evanescence of being. Short-lived, sweaty. a shadow to carry
though it's smitten loud and an endless maw of your affection.
Suddenly, it’s summer. Suddenly, I’m unremarkable.
My heart getting weighty with the demolition of stars.



my own nursery rhyme


Thursday, 5 October 2017

Wednesday, 4 October 2017

Monster Love


My first attempt at stop motion (well, not strictly my first, but I have only tried a few times and this I actually did with a camera and tripod). Sadly I don't think I have the dispositional patience to make stop motion films as a passtime. 

Good touch, good night, good light.

I am trying to make a decision happy enough. Hello, you, welcome home. I am called this girl, I have not been deceived by myself this time, but the light is almost gone. It is black honey. We have tears, it is not a picture. Dead mountains, clean roads, all lovers in the shape of stars reducing their path through that of the least resistance. Night's girlfriend brings the radio- it carries a little song and tells stories that look like grace. We are thinking of loving and losing and forever and forevers. Balance killed us and left us, but Hope stayed. Good touch, good night, good light, kiss. Tonight, on the highway, you eat a fruitcake with a knife like a boy's face on the universe wall. I want to be like this, when someone said that a failure was accepted, even in a statement so far out of context. I will try not to think of my hands anymore. I miss them, but that story is over. At the beginning of the story someone says that. Christmas stockings, ice cold Cornish spindrift, everything hidden in hidden letters. There are many names in history, but none are going to be ours. There is no accident when the room is empty. Everyone needs everyone. Everyone goes where they must go. Those people think about the meaning of war. What can you learn from your enemies? Do you think this love will lead you where you are meant to go? If anything is meant at all. Love is a bad word, maybe. I am sorry but I don't know where our enemies are. Are you worried about getting up to the microphone? The story you know is just paradise. If you hear a phone call in your head, your eyes have only partly open. Your heart looks like car parts in your head. Seasonal falling is causing laws and explosions and Human failing is cause for the dead. As you understand, I take what I think, what you say, and when I still love it I will do it again. I do not really know what to do, but in this version it is a bit brighter, yet not bad for the black sky. We speak whispers in wooden houses, in low words like tents. I cannot cancel them out. Valentine's been destroyed. For forgiveness, I'd give it all away. We know that we have problems and we have to ask a lot of things. I am seeking further help.

Practice in editing- a short film


We're hoping to cover this song soon so should have an original version in not too long, but I thought I'd practice my editing and The Leftovers seemed like the perfect television programme to draw from because the cinematography is so beautiful and I hoped to make something captivating.